Novi, do sada najpotentniji Fireface interfejs iz RME

188 kanala, 24-bit/192kHz, Fireface UFX III je moćnija verzija UFX II modela jer dodaje 94 kanala ulaza i izlaza zahvaljujući MADI konekciji i najnovijoj USB 3.0 tehnologiji.

Fireface UFX III je osmišljen da bude centar višekanalnog studija koji bez problema opslužuje 94 ulazna i 94 izlazna kanala.  Njegova vrsna fleksibilnost, kompatibilnost i dodatak DURec (Direct USB snimanje) uz poznatu RME minimalnu latenciju sa savršenim drajverima, garantuje nepogrešiv rad u bilo kojim uslovima.

Broadcast (Primarna kategorija)

UFX III je napravljen za moderne RTV stanice. MADI port mu omogućava da se jednim kablom poveže na digitalne miksete ili centralne rutere (npr.  ADI-6432R). Posjeduje DURec (direktno snimanje na USB) koji služi kao obavezan backup u slučaju da računar otkaže tokom emisije uživo.

Studio production (Vrhunski nivo)

Ovo je rješenje za “A-list” studije. Sa 188 kanala ukupno, on može biti centar ogromnog studijskog kompleksa. Konverteri su najnovije generacije sa SteadyClock FS, što garantuje nultu latenciju i hiruršku preciznost zvuka pri snimanju orkestara ili kompleksnih aranžmana.

Live production

Nezaobilazan za profesionalne tonce na turnejama. MADI mu omogućava da primi 64 kanala sa bine, dok DURec istovremeno snima multitrack koncert direktno na eksterni disk. Robusan je i dizajniran da izdrži najteže uslove rada.

Kućni studio (Samo za “Power Users”)

Ovaj uređaj kupuju profesionalni producenti koji rade od kuće, a trebaju ogroman broj kanala za povezivanje tona analognih sintisajzera, ritam mašina i eksternih efekata.

Napakovan je profesionalnim dodacima, poput SteadyClock FS, MADI I/O (64 kanala), moćnim DSP procesingom, USB 3.0 (punih 94 ulaz/izlaz kanala), TotalMix FX, Direct USB snimanje i Advanced Remote Control USB podrška (dostupma posebno), Fireface UFX III alat zahtjevan od profesionalaca za višekanalna snimanja, miksanje i mastering.

Fireface UFX III je zasnovan na novorazvijenom analognom i digitalnom RME dizajnu. Dok analogni sklop krase DC-coupled izlazi punog frekvencijskog opsega tu su i novi AD i DA konverteri sa THD+N poboljšanjem izobličenja signala. I digitalni sklop takođe daje zanimljive High-Tech dodatke.

Nove performanse i unapređenja

Fireface UFX III je donio znatna poboljšanja u svojoj porodici interfejsa. Pobolšana je AD/DA konverzija, tu je najsavremenija SteadyClock FS tehnologija koja omogućava kristalno čistu Jitter-free reprodukciju zvuka. Njegova integrisana četiri mikrofonska pretpojačala daju još preciznije snimanje sa Gain pojačanjem koje će pogurati najtromije dinamičke mikrofone. USB 3.0 protokol sa USB-C povezivanjem je upotrebljeno za buduću univerzalnu kompatibilnost.

Stvoren za visoku produkciju

Svi koji se nalaze u visokoj produkciji masivnih zvučnih projekata će biti zainteresovani za karakteristike kojima RME Fireface UFX III raspolaže. Četiri mic/line pretpojačala i osam TRS line ulaza zaokružuju ponudu direktnih analognih konekcija koje su dopunjene sa dva XLR izlaza i šest TRS izlaza. Digitalna sekcija daje optičke ADAT i AES/EBU ulaze i izlaze koji obezbjeđuju ogroman prostor za proširenje. Dobijate i 128 kanala MADI I/O za zahtjevne i velike instalacije. Dual dupli izlazi za monitoring slušalicama i MIDI I/O zaokružuju opširni potencijal Fireface UFX III.

Moćan interni DSP procesing

Fireface UFX III je napakovan obilatom DSP snagom u internom procesoru. Sadrži poznati RME TotalMix FX interni miker koji daje potpuno nezavisno rutiranje signala svih ulaznih kanala i plejbek kanala na bilo koji fizički izlaz. Nezavisni stereo podmiksevi i fantastična Control Room sekcija daje napredne mogućnosti monitoringa i besprijekornu fleksibilnost rutiranja signala. Dobijate EQ na svih 188 kanala, dinamički procesing na 188 kanala, reverb i delay sabirnice i Automatic Mic Gain alat. Na sve to dobijate univerzalnu kontrolu nad Fireface UFX III sa TotalMix Remote softverom za PC, Mac i iOS uređaje.

Specifikacija

Analogno

AD, Line In ulazi 1-8, nazad

• Input: 6.3 mm TRS, electronically balanced
• Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
• Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
• Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
• Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
• Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
• THD @ -1 dBFS: < -120 dB, < 0.0001 %
• THD+N @ -1 dBFS: < -110 dB, < 0.00032 %
• Channel separation: > 110 dB
• Maximum input level: +19 dBu
• Input: 6.3 mm TRS jack, electronically balanced
• Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
• Input sensitivity switchable between Lo Gain and +4 dBu
• Input level for 0 dBFS @ Lo Gain: +19 dBu
• Input level for 0 dBFS @ +4 dBu: +13 dBu
• Variable digital gain: 0 to +12 dB
• Minimum level for 0 dBFS: +1 dBu, -1.2 dBV

Mikrofonski ulazi  9-12, naprijed

Kao AD, ali:

• Input: XLR, electronically balanced
• Input impedance @ 1 kHz: 3.4 kOhm
• Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA
• THD+N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032 %
• Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz
• Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz
• Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz
• EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu
• Gain range: 75 dB
• Maximum input level, Gain 0 dB: +18 dBu
• Maximum input level, Gain 75 dB: -57 dBu
• CLIP LED: 0 dBFS
• SIG LED: -60 dBFS

Instrument In ulazi 9-12, naprijed

Kao AD, ali:

• Input: 6.3 mm TS jack, unbalanced
• Input impedance @ 1 kHz: 1 MOhm
• Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA
• Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz
• Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz
• Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz
• THD+N @ -1 dBFS, Gain 20 dB: < -107 dB, < 0.00045 %
• Gain range: 42 dB
• Maximum input level, Gain 8 dB: +21 dBu
• Maximum input level, Gain 50 dB: -21 dBu

DA, Line Out izlazi 3-8, nazad

• Output: 6.3 mm TRS jack, servo-balanced
• Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
• Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
• Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
• Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
• THD+N: < -110 dB, < 0.00032 %
• Channel separation: > 110 dB
• Output level switchable Hi Gain, +4 dBu, -10 dBV
• Output level at 0 dBFS @ Hi Gain: +19 dBu
• Output level at 0 dBFS @ +4 dBu: +13 dBu
• Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
• Output impedance: 75 Ohm

DA – Stereo Monitor izlaz XLR (1-2)

As DA, but:

• Output: XLR, balanced
• Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
• Output level at 0 dBFS @ 24 dBu: +24 dBu
• Output level at 0 dBFS @ Hi Gain: +19 dBu
• Output level at 0 dBFS @ +4 dBu: +13 dBu
• Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
• Output impedance: 150 Ohm

DA – Stereo Monitor Phones izlaz (9-12)

As DA, but:

Output: 2 x 6.3 mm TRS stereo jack, unbalanced
Maximum output level at 0 dBFS, High: +19 dBu
Maximum output level at 0 dBFS, Low: +2 dBV
Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)
Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA
Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA
Output impedance: 2 Ohm

MIDI

• 2 x MIDI I/O via 5-pin DIN jacks
• Galvanically isolated by optocoupled input
• Hi-speed mode: Jitter and response time typically below 1 ms
• Separate 128 byte FIFOs for input and output
• 2 x MIDI I/O via MADI
• Invisible transmission via User bit of channel 56 (up to 48 kHz)
• Invisible transmission via User bit of channel 28 (up to 96 kHz)

Digitalno

Clocks: Internal, ADAT, AES, SPDIF, word clock
Jitter suppression: > 50 dB (> 1 Hz)
Effective clock jitter influence on AD and DA conversion: near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates: 28 kHz up to 200 kHz

Digitalni ulazi

MADI

• Optical via FDDI duplex SC connector
• 62.5/125 and 50/125 compatible
• Coaxial via BNC (Word Clock input), 75 Ohm
• High-sensitivity input stage (< 0.2 Vpp)
• Accepts 56 channel and 64 channel mode, plus 96k Frame
• Standard: up to 64 channels 24 bit 48 kHz
• S/MUX: up to 32 channels 24 bit 96 kHz
• S/MUX4: up to 16 channels 24 bit 192 kHz
• Lock range: 25 kHz – 54 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

AES/EBU

• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
• High-sensitivity input stage (< 0.3 Vpp)
• SPDIF compatible (IEC 60958)
• Accepts Consumer and Professional format
• Lock range: 27 kHz – 200 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

ADAT optika

• 2 x TOSLINK, format according to Alesis specification
• Standard: 8 channels 24 bit, up to 48 kHz
• Double Speed (S/MUX): 4 channels 24 bit 96 kHz
• Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
• Bitclock PLL ensures perfect synchronisation even in varispeed operation
• Lock range: 31.5 kHz – 50 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

SPDIF optika (ADAT 2)

• 1 x optical, according to IEC 60958
• Accepts Consumer and Professional format
• Lock range: 27 kHz – 200 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

Word Clock

BNC

• Internal termination 75 Ohm switchable
• Automatic Double/Quad Speed detection and internal conversion to Single Speed
• SteadyClock guarantees super low jitter synchronization even in varispeed operation
• Not affected by DC-offsets within the network
• Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
• Overvoltage protection
• Level range: 1.0 Vpp – 5.6 Vpp
• Lock Range: 27 kHz – 200 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

Digitalni izlazi

MADI

• Optical via FDDI duplex SC connector
• 62.5/125 and 50/125 compatible
• Coaxial via BNC (Word Clock input), 75 Ohm
• High-sensitivity input stage (< 0.2 Vpp)
• Accepts 56 channel and 64 channel mode, plus 96k Frame
• Standard: up to 64 channels 24 bit 48 kHz
• S/MUX: up to 32 channels 24 bit 96 kHz
• S/MUX4: up to 16 channels 24 bit 192 kHz
• Lock range: 25 kHz – 54 kHz
• Jitter suppression: > 50 dB (> 1 Hz)

AES/EBU

• XLR, transformer-balanced, galvanically isolated, according to AES3-1992
• Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
• Format Professional according to AES3-1992 Amendment 4
• Format Consumer (SPDIF) according to IEC 60958
• Single Wire mode, sample rate 28 kHz up to 200 kHz

ADAT

• 1 x TOSLINK, format according to Alesis specification
• Standard: 8 channels 24 bit, up to 48 kHz
• Double Speed (S/MUX): 4 channels 24 bit 96 kHz
• Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz

SPDIF optika (ADAT 2)

1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

Word Clock

BNC

• Max. output voltage: 5 Vpp
• Output voltage @ 75 Ohm termination: 4.0 Vpp
• Output impedance: 10 Ohm
• Frequency range: 27 kHz – 200 kHz

Generalno

• Power supply: Internal switching PSU, 100 – 240 V AC, 36 Watts
• Idle power consumption: 19 Watts
• Typical power consumption: 22-25 Watts
• Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19” x 1.73” x 8.5”)
• Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3” x 1.73” x 8.3”)
• Total depth: 240 mm (9.4”)
• Weight: 3 kg ( 6.6 lbs)
• Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
• Relative humidity: < 75%, non condensing